Either vampire Jacques Vaucanson or vampire Pierre Jaquet-Droz, however, would be the perfect age, and both of them already demonstrated
an unhealthy fascination with animating the the non-quick
the ability to drum up public and private funding to support complex projects
Jaquet-Droz's choice of writing, art, and music were not haphazard; these were the ways in which aristocrats of the XVIII distinguished themselves from the public.